Oil painting on Masonite | 48”h x 32”w

In Silence we hold hands hoping that we will be together after the end of life in ways that only love provides. — Sara Adlerstein

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acrylic on cradled board

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oil and oil pastel on Gator board, Framed in maple floater frame

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oil and oil pastel on paper

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porcelain

This one of a kind porcelain sculpture continues my exploration of external form and interior space. I often conceive of my sculptures as miniatures or models of larger, sometimes monumental, imaginary dwellings. This unique artwork was made by layering and pinching successive coils of clay, an ancient and time consuming ceramic technique. — Francesc Burgos

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steel, plexiglas, silver leaf, found objects

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steel, plexiglas, silver leaf, found objects

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multiple color intaglio and woodcut, diptych, printed on Japanese paper.

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pigment ink on rag paper

Listen to the silences and feel the gentle winds. — Michelle A. Hegyi

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intaglio and woodcut printed on Japanese paper.

part of the Wind series created in 2020

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Ink drawing with watercolor on white Arches watercolor paper.

A reminder of summer’s bounty. — Connie Cronenwett

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Ink drawing and watercolor on white Arches watercolor paper.

A celebration of the summer garden’s bounty. — Connie Cronenwett

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Coptic-style binding with wooden covers that have been surface-designed with painting and stitching, then embellished with hardware and an acrylic frame. The mulberry text pages were interspersed with painted and monoprinted pages.

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porcelain

This desktop sculpture is hand built with a coil-pinch technique, a slow, laborious process. — Francesc Burgos

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Oil painting on Masonite | 48” h x 32” w.

In the quiet of the evening, when the sun sets and silence brings our souls to dream of all things to come, a soothing breeze murmurs it is time to go. — Sara Adlerstein

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oil paint, cold wax on heavy rag paper

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encaustic, acrylic and pigment ink on Japanese paper

I see something new in this piece every day. The contrast between the silence and the chaos draws me in more. — Michelle A. Hegyi

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oil paint, cold wax on cradled, framed Gessobord

I came up with this when considering how best to think about something. I could look at the ‘something’ via how it appeared initially - on the surface. Or I could look more deeply.

The spaces in the painting give me room and silence to consider. — Lynda Cole

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acrylic on canvas

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Boxed set of three wooden blocks that have been surface- designed with painted and stitched canvas, and acrylic inlays and onlays. The blocks are housed in a clamshell box covered with Cialux Italian book cloth.

As I was finishing up this piece, I got a call telling me of the February 7 (2/7), 2021 passing of a beloved artist friend.

I decided that the piece would be titled “27”, and it is dedicated to Scott Wettlaufer, who was a talented calligrapher and book artist. He will be greatly missed.

27 consists of three wooden blocks that have been covered in painted, stitched and collaged canvas. They are housed in a clamshell storage box with an acrylic inset embroidered with 27 marks. — Barbara Brown

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acrylic painting

In Memory of George is an homage to Georges Seurat, Stephen Sondheim’s musical and our good old friend George Manupelli. — Adrienne Kaplan

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acrylic painting

Early summer Sunday at the park. Happy relief in the fresh air. — Adrienne Kaplan

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oil on canvas

Reflecting on the theme of this show Silence and Breezes compelled me to share these two paintings. There is nothing like painting outdoors, submerged in nature, to experience both. — Nora Venturelli

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oil on canvas

Reflecting on the theme of this show Silence and Breezes compelled me to share these two paintings. There is nothing like painting outdoors, submerged in nature, to experience both. — Nora Venturelli

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acrylic on canvas

Music has always been with me as I worked in my studio. The emotional power and excitement was both relaxing and challenging to my mind and body. I thought to myself, why not try to capture in my paintings, that personal emotional energy that the music provided. So the Visual Symphony Series began and the power of the sound and its emotional energy became the subject of my work. — Ted Ramsay

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watercolor on Lanaquarelle watercolor paper

This piece captures a late sunset in western Indiana, but could be a lot of places in the Midwest.  When I am shooting reference photos of our Midwest landscape, I know I am seeing something fleeting that changes from minute to minute.  Watching the light change and the colors change is a sacred experience for me.  Hearing the day quiet down and feeling the evening envelop me feels like walking into an ancient cathedral when I instinctively quiet my voice and look up in awe. — Valerie Mann

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acrylic on canvas

Music has always been with me as I worked in my studio. The emotional power and excitement was both relaxing and challenging to my mind and body. I thought to myself, why not try to capture in my paintings, that personal emotional energy that the music provided. So the Visual Symphony Series began and the power of the sound and its emotional energy became the subject of my work. — Ted Ramsay

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